VARIOUS – AREA 52
SPLIT RELEASE #001 (AREA 52 RECORDS)
Here is a four band
four song split seven inch dating from around 2002. And it is a very strong line-up with Trumans
Water, I’m Being Good, Penthouse and the mysterious Gravel Samwidge making
their way onto the release.
There was always some
kind of cross Atlantic kinky bond between Trumans Water and I’m Being Good with
this not being the only time that they shared space on vinyl as they also appeared
on an Infinite
Chug split single together.
This is the kind of
music that excels with volume. Here are
the lo-fi remnants of the grunge era, the explosion of alternative that briefly
gave the world hope back in the nineties.
Since the beginning of this century however, it has all been fucked.
Trumans Water will
forever inhabit a major milestone in my rock education being the support band
at my first ever gig back in September
1993 when I saw Babes In Toyland play in Colchester . Their
contribution here “Abstracter Jet Nine” is suitably angular and borderline broken
as they continue running with the batten of sounding like early Pavement which
to the layman will always be a nonsensical din.
The layman generally tends to be wrong.
It is the kind of song you wonder whether you are playing at the correct
speed when it begins. Mucky stuff.
Their UK counterparts I’m Being Good hail from Brighton and are equally awkward serving up “Your Dog
Hates You”, a very scratchy accompaniment arriving with more nonsensical
gestures via the words that they say.
This too is a band with a pivotal mark on my rock education being the
band that Hirameka Hi-Fi played with
in Brighton the
night they debuted Ben on drums.
Good times.
Moving on Gravel
Samwidge open the second side sounding very much like Ligament albeit with a
more piercing near industrial guitar sound.
“What You Need” is a winning as bubbling bass and vibrant drums
accompany direct vocal gestures as the aforementioned guitar retains
relentless. It actually turns out that
the band is a four-piece from Brisbane much in the tradition of Cosmic Psychos. Blokes you can trust.
Closing the release is
the always reliable Penthouse who generally tended to grunt their way through
proceedings in the style of a beer stained London version of The Jesus Lizard. And “Timmy’s Chagrin” resembles exactly that,
rocking in calamitous fashion right to the end when even harmonica makes a
show. Did somebody do something to upset
Mr Cedar?
Without question this
is an amazing release representing one of the best times that there ever was
for UK indie rock.
In taking cues from American counterparts, a few of the acts understood
what made the moment. I managed to see
at least three of these bands live and every time was awesome. Please come back.
Thesaurus moment:
recapitulation.
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