Friday, 15 January 2010

AMBERGRIS – AMBERGRIS! (PARAMOUNT RECORDS)


AMBERGRIS – AMBERGRIS! (PARAMOUNT RECORDS)

This is the kind of lost album lost band you could expect to appear on a Quentin Tarantino soundtrack.  That or poker party music.  There is a ragged joy in the aged sound here that rides a fine line between cheesy and credible.  Released in 1970 the sound of Ambergris has remained stationary in the meantime modern acts have caught up.

Perhaps now best known for housing cover artwork later vandalised and adapted by Pavement, Ambergris was part of a horn rock movement in the late 60s/early 70s.   Boasting a line-up of ten players this album was produced by Steve Cropper so there is a slight Blues Brothers before Blues Brothers tone (as opposed to a Booker T vibe).  However it has been said since that Cropper did not know what to do with the band at the time.

Often functional and generic you sense this record was not necessarily consumed with the best of aims and intention.  Sometimes there is only surface.  Earnest and often with its heart on its sleeve these are love songs to a fault.  The hidden sleaze lacks substance and a thinly veiled guise.  This is the flattering to deceive approach to romance.  God only knows what specifically is meant by “Chocolate Pudding” (apparently it was the band’s anti-drug statement).

That said it is difficult to dislike this record.  The most likely reaction is resounding indifference but housed here is the work is the dense tone of jobbing.

On vocals and conga is Jimmy Maeulen who in places found himself described as an acquired taste.  There something whiny in his lengthy drawl and something equally sad in his inability to co-exist with a horn section that plants him straight in the corner.

There is a lot going on in this record.  Many directions are being ploughed all at once.  Strings meander, horns blast everything out of sight, bass goes ghetto while guitars noodle.  You sense keeping everyone happy was quite the contest.  At times tracks sound like a different band when placed against next to others.

Select choices include the funky swagger of “Play On Player” being near narrative driven while housing a huge smart hook.  The aforementioned “Chocolate Pudding” boasts some amazing bass player along with a nice line about insulin and diabetes.  The energetic “Home Groan” scores points for the clever wordplay of the title.  And I actually appreciate the workout that is closing track “Endless Night”.  The air is left appropriate.

On the downside at the commercial end single “Forget It, I Got It” opens with a “Soul Man” intro rip off before housing a heavily unsuitable hook which destroys all credibility while elsewhere their clear attempt at a pop ballad “Sunday Lady” is just yucky and wet.

Ambergris is actually a type of shit that comes from sperm-whales.  It is flammable and traditionally used for perfume.

This is devoid of irony.

Thesaurus moment: fragrant.

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