JOHN BARRY – MIDNIGHT COWBOY (UNITED ARTISTS RECORDS)
Without question this
one of the most beautiful pieces of film music ever composed. It is also one of the most recognisable as
captured in its creation are the stark and startling elements of two different
worlds naively clashing and composing.
There is a real rough romance attached to this despatch as through harsh
realities a glorious tone prevails.
This isn’t so much a
song you listen to, it is one you sail on.
It is regal and deep. As the
strains enter your ears and inhabit the brain you find yourself transported to
various prior places and states of mind.
This is one of those songs that will move a person towards
memories. Without words to get in the
way and complicate things, the song serves as a pulse guiding the being to
beautiful places and their own variation of Sarasota . This
is brain candy.
On the flipside of the
seven inch is “Fun City ” which is another drifting composition from
Barry that evokes the city with a piano and bass combination gliding across the
ruins of the main track. As strings
cascade and an eventual horn enters proceedings it reminds of moments spent
with Travis Bickle in a time not far removed from Ratso Rizzo. Nothing is without complication.
As with the movie,
time stands still.
Thesaurus moment:
longing.
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