MUGGABEARS – NIGHT CHOREOGRAPHY (SELF RELEASED)
This is the most exciting new band I have discovered so far in 2007, an act so refreshing whilst also being so crisp and concise in the wearing of its influences on its sleeves. In a time where the past few years indie music has threatened to give into pant swinging neo-hippy folk types, pointless and aimless noise acts and a full on thrust of grunge nostalgia…..basically here is a band THAT FUCKING ROCKS!
Well, “rocks” in an experimental and angular Sonic Youth inspired manner but still it should just what the indie rock doctor is ordering. The music of the Muggabears is immediate through a familiarity of its genre and sheer frenetic dynamism of its playing. It evades me as to just how many times I have heard music like this but bands are still discovering methods with which they are able to make it still sound fresh and inventive.
With obvious nods to Sonic Youth (the band having transplanted from Oklahoma up to New York) it often also resembles Unwound at their most positively dank and dense whilst sporting/rocking a lineup dynamic akin to Blonde Redhead, which at the close of proceedings is a very exciting proposition (in theory).
The choicest track on offer is the elevated “The Goth Tarts”, a towering delivery of menace that builds with the most sinister of intros into a song that literally feels young coupled with a severe sense of guilt and (un)healthy dose of darkness in its mood being fairly nihilistic in its message (“you shouldn’t have children, you shouldn’t read books”).
Night Choreography runs in at seven songs over 24 minutes and there is something of an inconsistency in the offerings as “Automatic Others” appears to fall apart as the singer experiences something of a breakdown (probably of intention) and “Dead Kid Kicks” cheekily lifts heavily from “Purr” by Sonic Youth, something they will be given the benefit of the doubt for for only so long.
When the heavy bass of “Now I’ve Got A Sword” swoops in, the basic eruption and destruction coupled with distorted insane vocals and bloody hooks happily provides proof/evidence that time spent on this band is time well spent. Perhaps not the finished item, there is a mass of exciting indications to be taken from this record that time will hopefully be fulfilled in its promise.
Thesaurus moment: capable.
Muggabears
This is the most exciting new band I have discovered so far in 2007, an act so refreshing whilst also being so crisp and concise in the wearing of its influences on its sleeves. In a time where the past few years indie music has threatened to give into pant swinging neo-hippy folk types, pointless and aimless noise acts and a full on thrust of grunge nostalgia…..basically here is a band THAT FUCKING ROCKS!
Well, “rocks” in an experimental and angular Sonic Youth inspired manner but still it should just what the indie rock doctor is ordering. The music of the Muggabears is immediate through a familiarity of its genre and sheer frenetic dynamism of its playing. It evades me as to just how many times I have heard music like this but bands are still discovering methods with which they are able to make it still sound fresh and inventive.
With obvious nods to Sonic Youth (the band having transplanted from Oklahoma up to New York) it often also resembles Unwound at their most positively dank and dense whilst sporting/rocking a lineup dynamic akin to Blonde Redhead, which at the close of proceedings is a very exciting proposition (in theory).
The choicest track on offer is the elevated “The Goth Tarts”, a towering delivery of menace that builds with the most sinister of intros into a song that literally feels young coupled with a severe sense of guilt and (un)healthy dose of darkness in its mood being fairly nihilistic in its message (“you shouldn’t have children, you shouldn’t read books”).
Night Choreography runs in at seven songs over 24 minutes and there is something of an inconsistency in the offerings as “Automatic Others” appears to fall apart as the singer experiences something of a breakdown (probably of intention) and “Dead Kid Kicks” cheekily lifts heavily from “Purr” by Sonic Youth, something they will be given the benefit of the doubt for for only so long.
When the heavy bass of “Now I’ve Got A Sword” swoops in, the basic eruption and destruction coupled with distorted insane vocals and bloody hooks happily provides proof/evidence that time spent on this band is time well spent. Perhaps not the finished item, there is a mass of exciting indications to be taken from this record that time will hopefully be fulfilled in its promise.
Thesaurus moment: capable.
Muggabears
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