CHAPTER XIII – VALENTINE (LEVELSOUND MUSIC)
There is a subtle amount of responsibility that comes with reviewing music that no one else is willing to touch. To heavily criticise such a piece of music and slag it off at ground zero is a heinous act akin to kicking the crutches away from a cripple. Sometimes however it feels like a necessary evil.
This two track CD single (I think) is released to coincide with the most frightful of Hallmark holidays (along with the commercialisation of Eid) “Valentine” is a tepid and gloomy offering confusing the most quizzical parts of my brain (if I have one) and causing me to stroke my chin and wonder just who is going to listen to this.
For such a commercially orientated release, the sound really stands out as being muddy and cheap sounding. There is no bite or purpose to this record it just sounds like grown ups trying to play music they don’t understand from a tab book purchased in a bad music shop.
Referring to the press release, the boast of “full on percussion” really is not the most salient of points and where the “harmonious venom” just quite is, is something of a Baker Street mystery to me, Baker Street that would probably actually embrace this release for all its big ties (major label distribution apparently) and business acumen. It is all built on sand.
I have to concede at this point that when I was sent the email asking me if I wanted a copy I was drunk.
Thesaurus moment: devoid.
Chapter xiii
Levelsound Music
There is a subtle amount of responsibility that comes with reviewing music that no one else is willing to touch. To heavily criticise such a piece of music and slag it off at ground zero is a heinous act akin to kicking the crutches away from a cripple. Sometimes however it feels like a necessary evil.
This two track CD single (I think) is released to coincide with the most frightful of Hallmark holidays (along with the commercialisation of Eid) “Valentine” is a tepid and gloomy offering confusing the most quizzical parts of my brain (if I have one) and causing me to stroke my chin and wonder just who is going to listen to this.
For such a commercially orientated release, the sound really stands out as being muddy and cheap sounding. There is no bite or purpose to this record it just sounds like grown ups trying to play music they don’t understand from a tab book purchased in a bad music shop.
Referring to the press release, the boast of “full on percussion” really is not the most salient of points and where the “harmonious venom” just quite is, is something of a Baker Street mystery to me, Baker Street that would probably actually embrace this release for all its big ties (major label distribution apparently) and business acumen. It is all built on sand.
I have to concede at this point that when I was sent the email asking me if I wanted a copy I was drunk.
Thesaurus moment: devoid.
Chapter xiii
Levelsound Music
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