Friday 21 December 2007

FUGAZI – REPEATER (DISCHORD)


FUGAZI – REPEATER (DISCHORD)

Repeater was the first full length studio album by Fugazi.  At this stage they were still the heat of hardcore respectability still benefiting from the legacy of Minor Threat and the mentality coupled with that.  However both their ambition and ability was looking further/higher and thus they found themselves having to juggle the balance between the past and present and keeping everyone/anyone interested satisfied.

Repeater is actually an obscure nod to The Beatles’ Revolver.  This was a band evolving while also acknowledging the repetition of the process.  As I said, Fugazi was stepping up.

Released a year before Nevermind and grunge, this was self sufficient artefact, a truly independent album that was reaching big numbers and eventually passed the million mark in sales without an major label assistance.  This was a band tapping into something.

The basic eleven track album clocks in at just over thirty minutes.  Within these motions the band explores its own existence, subtly experimenting with its sounds but never really fully cutting lose.  And why should they while still being at the top of their game regardless.

From the off Fugazi were genius at album structure.  All of their studio albums are perfectly book ended and Repeater is no exception as it opens with “Turnover” which begins with lighthouse-esqe glimpses of guitar before the rhythm section gets involved and a more measured line takes hold as anticipation grows.  Then it fully kicks in as a huge wave of power engulfs proceedings as Guy screams “languor rises reaching” which hangs in the air until his next command.

Things get exciting when the title track kicks in with a scream of its name as Ian and Guy go rabid on their guitars before the intro calms down and Mackaye begins pointing defensive fingers shouting “you say I need a job, I got my own business, you wanna know what I do, that’s none of your fucking business”.

With that the record pauses for a breather with the instrumental “Brendan #1”, the natural accompaniment to “Joe #1” from the seven inch.  This no doubt is a track born out of stolen moments from playing live.

Famously the band never did t-shirts, never soiled its pure existence as being an artistic endeavour first and a reluctant way of making anything more than a living second.  “Merchandise” is the track that expresses their feelings most explicitly on this matter.  Opening with the line “when we have nothing left to give” courageously and honestly Mackaye continues “there will be no reason for us to live” expressing awareness that so few acts tend to have.  This is probably their most explicit song about selling out as when the pace steps up they enter the accusation “what could a businessman ever want more than to have us sucking in his store” as suddenly the items on offer take on a much darker meaning.  Basically if you’re a proud consumer, you’re a junky.

Somewhat amusingly today as I listen to “Two Beats Off” I find myself working on a set of business accounts where the owner has plainly fiddled and neglected to pay tax on his fat earnings.  And this is no white collar crime, it’s a man that works with his hands doing flooring.  He just got greedy and as per the worlds of this song “caught red handed”.  There is some sympathy attached to the track as the jittery verses offer a calm take on proceedings.  Then again the track does arrive following the hostile, accusatory “Greed”.

Away from the meaning and lyrical content Repeater contains a couple of pure pleasures in “Sieve-Fisted Find” and “Styrofoam”, not that they tracks without message.  The former holds a very exciting, anticipation caked build before experiencing one hell of a pull back, an organic trajectory changing hook that confounds proceedings and lets you know you are in the presence of greatness.  This is the band pulling at the listener’s leash.  With that “Styrofoam” exhibits a similar kind of playfulness and treatment of its audience tickling before stepping up the pace and daring/challenging the observer to try and keep up.  The words “everybody’s down, we pulled each other down” coupled with a chorus stating “we are all bigots” is quite self flagellating and in different hands could be quite defeating but coming from Fugazi, knowing the attitude and origins it is plainly a command to improve.

“Blueprint” offers a contradicting motion.  It is a big, blunt, brash gesture of a track.  It doesn’t so much as fly as just bashes the listener over the head as Guy opens shouting “I’m not playing with you” in repetition.  It’s a big rock number that eventually exhibits a call and response gesture from the two headed monster at the front dictating “never mind what’s been selling, its what you’re buying and receiving defiled” more or less telling the listener “shut up and listen”.

Then with that outro of “Shut The Door” occurs as the band leisurely plays out offering a set of everyday contradictions while drifting off to better places asking “ever been cruel?” before arriving at some nightmare scenario and the end of connection ahead of the song breaking into an all out sonic onslaught in disciplined fashion.  “Shut the door so I can leave”.

I first bought and heard this album when I was going through a transition stage.  It was a time when old friends still lingering and fresh ones had arrived.  Suddenly there felt some kind of decision had to be made, a test of loyalty to be taken.  In the end I moved on and went with the new.  My old friends had already betrayed me, you can’t reject after you have been rejected.  Music such as this is important.  It can expand you opinions and open up your opportunities.  When so much good is to be gained, why question?

With that the 3 Songs EP is tagged onto the end of the CD version of the album thus disrupting the cohesion but those tracks needed to be available on the format some how.

This is the best selling Fugazi record but not the best.

Thesaurus moment: prevailing.

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