SEBADOH – HARMACY (DOMINO)
This I think is where Sebadoh hit the right balance and made the album of their career. Whereas usually the smart money goes on Bubble And Scrape being their defining moment, Harmacy really is an astonishing accomplishment as a nineteen song collection devoid of any filler but instead some of the strongest tracks the band ever delivered. This should have been the record that saw them on Top Of The Pops and touching our hearts.
For the longest time Sebadoh were one of the best kept secrets of the grunge era. They were on Sub Pop (in the US) but nobody seemed to be paying attention to them, preferring instead to concentrate on the modern day hair bands with metal leaning tendencies. I guess in many ways Sebadoh were hardcore punks that had gone soft, opting instead to concentrate now on songwriting with didn’t really fit the flannel shirt bill. Also they wore glasses and at that point real men did not wear glasses. Originally they were supposed to support Nirvana on their tour in 1994 but when Kurt did what he did that plan all went to pieces and any plan for exposure and miniscule domination was no longer going to happen.
Harmacy arrived in 1996 and it felt like perfect timing. With a new movement of home grown US inspired talent making waves suddenly lo-fi was hip (although this record does not necessarily sound overly lo-fi). When the band toured the UK in October that year and I saw them at the Astoria the record had already been a summer hit for me and now I was making new friends and seeing a band with statue.
There is quite a definite line on this record between the Lou songs and the Jason songs. Basically Lou crooned and Jason rocked. Together as I said above both styles royally complimented one another and something of a new perfect record had fallen into place.
Proceedings begin with “On Fire” and Lou crooning his scrappy sentiments with great sentiments in away that was OK for the white boy indie blues generation to buy into without looking stupid or immature. Or so we thought. It shouldn’t work as an album opener but somehow it just does.
Things pick up royally as “Prince-S” displays a more direct side of the band, still the victim but no longer falling so easily as before. By the end of the track the engine is truly revving and the album is underway.
With “Ocean” things get playful and silly in both music and verse. I swear he is still singing about his dick and some nonchalant lady making life hell but at least now the chops are light-hearted and verging on comical, a point that is emphasised by the whining cry-baby video filmed in front of a true heavy metal audience. Thank god there is a sense of humour at the heart of this record.
By the fourth track “Nothing Like You” you get the feeling that you have been put through the emotional wringer enough already. Somehow proceedings manage to get even sappier than “On Fire” but in the likelihood of the listener being lovelorn and failing to get his end away it serves its purpose. Later Lou strikes again with the track “Willing To Wait”, which can be taken either way depending on the disposition and timing of the listener. Teenage Fanclub were getting away with it at the time so why shouldn’t Sebadoh.
“Crystal Gypsy” provides the first real noise workout, blowing away the cobwebs that will have emerged from the first four tracks on the album. It swings from side to side like a temper tantrum of the most righteous kind.
As “Beauty Of The Ride” kicks in it arrives with a real flourish the pace of the record increases even further as the song sounds like a natural single pitching a kind of urgency that to this point of the record had been drastically lacking in proceedings.
“Mind Reader” maintains the strength of the middle order as the streak remains heavy and bounding, almost sounding like a drunken toddler on some kind of Lego rampage. Still you can’t help but think he is singing about his dick and some prick teasing woman.
The second side opens with “Zone Doubt” and perhaps the best sync of pop hooks and awkward sounds that appears on this record. Quite frankly the choruses here are to die for, the kind of stuff that snags me and makes me feel young again. This is the true magic of Sebadoh.
Concentrating on the noise tracks “Mind Reader” presents the most lo-fi proposition of the record in the most agonising song of the album with yet another song about the suffrage of his dick and the lady making its life hell. There really does seem to be an underlying agony to this record, the celebration of rejection for the skinny, geeky guy getting sand kicked in his face by the smart lady in glasses that likes twisting indie rock stars around her little finger. Indeed “that’s the worst thing you could do.” This could easily have been a Pavement song. Likewise “Love To Fight” that follows quickly afterwards manages to sound like The Jesus Lizard. This is at times quite dirty stuff.
Things close out strongly after “Perfect Way” takes the sappy route and “Can’t Give Up” is another lumpy song of heart attack and hooks. “Open Ended” then offers some kind of introspection manipulating the best of both worlds from this record, building to a real climax in the process even if it doesn’t really reach any kind of philosophical conclusion.
The instrumental “Weed Against Speed” plays out like a closing credits accompaniment that expounds no words but with its aching tempo changes in its playing along with the song title serves quite explicitly with its intentions. Perhaps this is where the hidden conclusion of the album is housed, maybe this was the point at which the band had it all worked out.
By way of one last shock to the system Sebadoh sound as if they are falling down the stairs as they fire out a cover of The Bags “I Smell A Rat” at a frenetic pass displaying that they can still run with young pups and indeed the big dogs. They needed to with Courtney Love briefly sniffing around.
Harmacy is one of those great records that sits in your collection and sadly often you forget about until every now and then something jogs your memory as to the utter class of the record and how fond you remember the times. The summer of 1996 in rose tinted glasses was an exceptional time for me and when I finally saw Sebadoh playing live supporting this record suddenly I was on my way to beginning a lo-fi record label with some new friends. Times seldom got any better.
Thesaurus moment: medicinal.
Sebadoh
Domino
This I think is where Sebadoh hit the right balance and made the album of their career. Whereas usually the smart money goes on Bubble And Scrape being their defining moment, Harmacy really is an astonishing accomplishment as a nineteen song collection devoid of any filler but instead some of the strongest tracks the band ever delivered. This should have been the record that saw them on Top Of The Pops and touching our hearts.
For the longest time Sebadoh were one of the best kept secrets of the grunge era. They were on Sub Pop (in the US) but nobody seemed to be paying attention to them, preferring instead to concentrate on the modern day hair bands with metal leaning tendencies. I guess in many ways Sebadoh were hardcore punks that had gone soft, opting instead to concentrate now on songwriting with didn’t really fit the flannel shirt bill. Also they wore glasses and at that point real men did not wear glasses. Originally they were supposed to support Nirvana on their tour in 1994 but when Kurt did what he did that plan all went to pieces and any plan for exposure and miniscule domination was no longer going to happen.
Harmacy arrived in 1996 and it felt like perfect timing. With a new movement of home grown US inspired talent making waves suddenly lo-fi was hip (although this record does not necessarily sound overly lo-fi). When the band toured the UK in October that year and I saw them at the Astoria the record had already been a summer hit for me and now I was making new friends and seeing a band with statue.
There is quite a definite line on this record between the Lou songs and the Jason songs. Basically Lou crooned and Jason rocked. Together as I said above both styles royally complimented one another and something of a new perfect record had fallen into place.
Proceedings begin with “On Fire” and Lou crooning his scrappy sentiments with great sentiments in away that was OK for the white boy indie blues generation to buy into without looking stupid or immature. Or so we thought. It shouldn’t work as an album opener but somehow it just does.
Things pick up royally as “Prince-S” displays a more direct side of the band, still the victim but no longer falling so easily as before. By the end of the track the engine is truly revving and the album is underway.
With “Ocean” things get playful and silly in both music and verse. I swear he is still singing about his dick and some nonchalant lady making life hell but at least now the chops are light-hearted and verging on comical, a point that is emphasised by the whining cry-baby video filmed in front of a true heavy metal audience. Thank god there is a sense of humour at the heart of this record.
By the fourth track “Nothing Like You” you get the feeling that you have been put through the emotional wringer enough already. Somehow proceedings manage to get even sappier than “On Fire” but in the likelihood of the listener being lovelorn and failing to get his end away it serves its purpose. Later Lou strikes again with the track “Willing To Wait”, which can be taken either way depending on the disposition and timing of the listener. Teenage Fanclub were getting away with it at the time so why shouldn’t Sebadoh.
“Crystal Gypsy” provides the first real noise workout, blowing away the cobwebs that will have emerged from the first four tracks on the album. It swings from side to side like a temper tantrum of the most righteous kind.
As “Beauty Of The Ride” kicks in it arrives with a real flourish the pace of the record increases even further as the song sounds like a natural single pitching a kind of urgency that to this point of the record had been drastically lacking in proceedings.
“Mind Reader” maintains the strength of the middle order as the streak remains heavy and bounding, almost sounding like a drunken toddler on some kind of Lego rampage. Still you can’t help but think he is singing about his dick and some prick teasing woman.
The second side opens with “Zone Doubt” and perhaps the best sync of pop hooks and awkward sounds that appears on this record. Quite frankly the choruses here are to die for, the kind of stuff that snags me and makes me feel young again. This is the true magic of Sebadoh.
Concentrating on the noise tracks “Mind Reader” presents the most lo-fi proposition of the record in the most agonising song of the album with yet another song about the suffrage of his dick and the lady making its life hell. There really does seem to be an underlying agony to this record, the celebration of rejection for the skinny, geeky guy getting sand kicked in his face by the smart lady in glasses that likes twisting indie rock stars around her little finger. Indeed “that’s the worst thing you could do.” This could easily have been a Pavement song. Likewise “Love To Fight” that follows quickly afterwards manages to sound like The Jesus Lizard. This is at times quite dirty stuff.
Things close out strongly after “Perfect Way” takes the sappy route and “Can’t Give Up” is another lumpy song of heart attack and hooks. “Open Ended” then offers some kind of introspection manipulating the best of both worlds from this record, building to a real climax in the process even if it doesn’t really reach any kind of philosophical conclusion.
The instrumental “Weed Against Speed” plays out like a closing credits accompaniment that expounds no words but with its aching tempo changes in its playing along with the song title serves quite explicitly with its intentions. Perhaps this is where the hidden conclusion of the album is housed, maybe this was the point at which the band had it all worked out.
By way of one last shock to the system Sebadoh sound as if they are falling down the stairs as they fire out a cover of The Bags “I Smell A Rat” at a frenetic pass displaying that they can still run with young pups and indeed the big dogs. They needed to with Courtney Love briefly sniffing around.
Harmacy is one of those great records that sits in your collection and sadly often you forget about until every now and then something jogs your memory as to the utter class of the record and how fond you remember the times. The summer of 1996 in rose tinted glasses was an exceptional time for me and when I finally saw Sebadoh playing live supporting this record suddenly I was on my way to beginning a lo-fi record label with some new friends. Times seldom got any better.
Thesaurus moment: medicinal.
Sebadoh
Domino
No comments:
Post a Comment