BEASTIE BOYS – ILL COMMUNICATION (CAPITOL)
After the grand reinvention that came with Check Your Head, with their fourth album the Beastie Boys presented the world a more refined and organic album that now smoothed out the blunt edges from their previous effort to lend a more free flowing and upbeat tone to proceedings.
Another twenty track epic of a record despite the constant variation and fusion of genres that came with this record very little (if any) of it felt like filler as you sensed the band reached its goal of trying to represent the album as a complete body of work in itself rather than being just a collection of tracks in the grand tradition of jazz records here was a solid piece of art that well served and represented the time and place of where it came from while also tipping its head many times to the innovators that made this music possible at such a time. With their method of acknowledging their inspirations they became innovators of their own.
The record opens with “Sure Shot” which immediately displays a more groove driven accompaniment to proceedings as their trademark Jewish whine flows in the loosest and seemingly least forced manner so far.
If the first track of the album failed to make a mark and dent the concentration of the listener with view to capturing attention “Tough Guy” storms in the least subtle manner with barking and blitzing hardcore punk.
“Bobo On The Corner” provides the first example of the expanded funk instrumentals that regularly come to serve this album as an urban and transmetropolitan experience, often echoing pleasing crime movie scores from the greatest seventies era in a very Lalo Schifrin manner.
Things attain at a relentless pace as the threesome of “Root Down”, “Sabotage” and “Get It Together” arrive in a row shooting the album into outer space. All three songs would eventually become singles and staples in the Beastie Boy legacy, each possessing a staunch identity of their own as “Sabotage” screamed its way into being the thinking man’s “Fight For Your Right” and “Get It Together” came complete with a masterful cameo from Q-Tip.
Beyond this peak the record then takes a decidedly mellow route as the vibe lightens and the funk portion of our journey begins with “Sabrosa” as things turn percussion heavy at the hands of Bobo.
The bass continues to maraud on “The Update” as the slow distorted rhymes disorientate and serve proceedings well and the slow provides one of my all time favourite breaks in any song. With its lurching bass this song sounds almost aquatic. Next as the bass couples magnificently with Money Mark’s keyboard playing on “Futterman’s Rule”, the latest funk instrumental on the record, the day truly is handed over to MCA who takes on true ownership of the musical path of the record. Futterman’s Rule being that as soon as two people at the table are served you can start eating, which feels apt in the light of the feast that is being offered up by this record.
The whole of the second side of the record is in general more subtle and chilled out. “Flute Loop” says exactly what it does on the tin and “Ricky’s Theme” provides their most tender instrumental moment to date.
Another hardcore track resurges the album in the form of “Heart Attack Man” before the record ends strongly with the relentless “Bodhisattva Vow” which is another track that is all about MCA which spits over the most chilling of monk accompaniments.
“Transitions” closes Ill Communication in majestic fashion, looking forward and truly book ending a grand and royal experience.
I don’t think I have ever heard another record that so magnificently meshes so many styles and genres in such a modern way. As I look at the group on the back of the sleeve and the sum of its parts it is a truly breathtaking sight, the ultimate gang that briefly every white boy into exhilarating music wanted to be part of. This was an entire industry at work, almost a lifestyle that promoted the most positive of messages and the best that all worlds had to offer. I can’t help but feel hip hop has changed drastically in the time between the release of this record and now and it is a true loss to music and culture that history will always continue to rediscover time after time long after the Beastie Boys have finally exited the scene and movement.
Thesaurus moment: celestial.
Beastie Boys
Grand Royal
Capitol
After the grand reinvention that came with Check Your Head, with their fourth album the Beastie Boys presented the world a more refined and organic album that now smoothed out the blunt edges from their previous effort to lend a more free flowing and upbeat tone to proceedings.
Another twenty track epic of a record despite the constant variation and fusion of genres that came with this record very little (if any) of it felt like filler as you sensed the band reached its goal of trying to represent the album as a complete body of work in itself rather than being just a collection of tracks in the grand tradition of jazz records here was a solid piece of art that well served and represented the time and place of where it came from while also tipping its head many times to the innovators that made this music possible at such a time. With their method of acknowledging their inspirations they became innovators of their own.
The record opens with “Sure Shot” which immediately displays a more groove driven accompaniment to proceedings as their trademark Jewish whine flows in the loosest and seemingly least forced manner so far.
If the first track of the album failed to make a mark and dent the concentration of the listener with view to capturing attention “Tough Guy” storms in the least subtle manner with barking and blitzing hardcore punk.
“Bobo On The Corner” provides the first example of the expanded funk instrumentals that regularly come to serve this album as an urban and transmetropolitan experience, often echoing pleasing crime movie scores from the greatest seventies era in a very Lalo Schifrin manner.
Things attain at a relentless pace as the threesome of “Root Down”, “Sabotage” and “Get It Together” arrive in a row shooting the album into outer space. All three songs would eventually become singles and staples in the Beastie Boy legacy, each possessing a staunch identity of their own as “Sabotage” screamed its way into being the thinking man’s “Fight For Your Right” and “Get It Together” came complete with a masterful cameo from Q-Tip.
Beyond this peak the record then takes a decidedly mellow route as the vibe lightens and the funk portion of our journey begins with “Sabrosa” as things turn percussion heavy at the hands of Bobo.
The bass continues to maraud on “The Update” as the slow distorted rhymes disorientate and serve proceedings well and the slow provides one of my all time favourite breaks in any song. With its lurching bass this song sounds almost aquatic. Next as the bass couples magnificently with Money Mark’s keyboard playing on “Futterman’s Rule”, the latest funk instrumental on the record, the day truly is handed over to MCA who takes on true ownership of the musical path of the record. Futterman’s Rule being that as soon as two people at the table are served you can start eating, which feels apt in the light of the feast that is being offered up by this record.
The whole of the second side of the record is in general more subtle and chilled out. “Flute Loop” says exactly what it does on the tin and “Ricky’s Theme” provides their most tender instrumental moment to date.
Another hardcore track resurges the album in the form of “Heart Attack Man” before the record ends strongly with the relentless “Bodhisattva Vow” which is another track that is all about MCA which spits over the most chilling of monk accompaniments.
“Transitions” closes Ill Communication in majestic fashion, looking forward and truly book ending a grand and royal experience.
I don’t think I have ever heard another record that so magnificently meshes so many styles and genres in such a modern way. As I look at the group on the back of the sleeve and the sum of its parts it is a truly breathtaking sight, the ultimate gang that briefly every white boy into exhilarating music wanted to be part of. This was an entire industry at work, almost a lifestyle that promoted the most positive of messages and the best that all worlds had to offer. I can’t help but feel hip hop has changed drastically in the time between the release of this record and now and it is a true loss to music and culture that history will always continue to rediscover time after time long after the Beastie Boys have finally exited the scene and movement.
Thesaurus moment: celestial.
Beastie Boys
Grand Royal
Capitol
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